Biography
Anthony Wigglesworth, (b.1979)
M.Phil. Music & Media Technologies, 1st class honours.
Trinity College Dublin, (2013)
Dublin, Ireland
Anthony Wigglesworth (b. 1979) is an Irish contemporary artist whose practice operates at the intersection of acoustical theory, temporal engineering, and complex systems. Holding an M.Phil. in Music and Media Technologies (1st Class Hons) from Trinity College Dublin, Wigglesworth transposes the principles of sound propagation, rhythm, frequency, and resonance, into a rigorous visual language of abstraction.
His work is characterized by a process-driven investigation into stochastic systems, exploring the tension between ordered geometry and entropic dissolution through custom-engineered tools and fluid dynamics. This inquiry into responsive environments has been established through a significant exhibition history in New York, notably at The Sylvia Wald and Po Kim Gallery. In 2019, his work was featured in the acclaimed exhibition Turbulence alongside international artists held in the permanent collections of The Museum of Modern Art (MoMA) and The Metropolitan Museum of Art. Most recently, he was one of three featured artists in the 2024 exhibition Genesis at the same venue, an event attended by the Deputy Consulate General of Ireland in New York, marking his third major presentation with the gallery.
Reef
Private collection
Oil on canvas
150 cm x 150 cm x 4.6 cm
© Anthony Wigglesworth - All Rights Reserved
Wigglesworth’s dialogue with Information Theory is further distilled in his modular ink drawings, which visualize the "Curtain of Time." Frequently showcased in major art capitals under the direction of curator Odelette Cho with Donghwa Ode Gallery, his work has been a recurring fixture at Art Miami, Art New York, and Art Market San Francisco. His 2024 presentation at Art Miami was attended by the Consulate General for Ireland in Florida and the Head of Culture Ireland in New York, highlighting his stature as a key figure in Ireland’s international cultural vanguard.
In 2026, Wigglesworth’s large-scale work, Solar Storm, will be installed at the Irish Consulate in Manhattan on Park Avenue, a prestigious collaboration with Donghwa Ode Gallery and Culture Ireland.
Over the past two decades, Wigglesworth has established a prominent international profile, defined by major solo thematic presentations including Harmonic Fields (2023), Genesis (2024), and On The Surface Of It (2018). Based in Dún Laoghaire, Co. Dublin, his studio practice functions as a laboratory for psychoacoustic and visual phenomena, shaping conditions in which material, time, and perception continually converge.
Artist Statement
Anthony Wigglesworth’s practice functions as a rigorous investigation into the mechanics of information propagation, treating the canvas and paper as sites where time is rendered tangible. Rooted in an early engagement with music and the study of sound, his work explores the "threshold of the before", a state of potential energy where light, rhythm, and structure begin to organize into perceivable phenomena. Positioning himself as a temporal engineer, Wigglesworth moves beyond mere abstraction to construct an architecture of duration and entropy.
In his ink drawings, the artist utilizes a highly disciplined, modular geometry to visualize the "Curtain of Time." By layering thousands of discrete, incremental units, he maps the accumulation and dispersion of information across the surface. Each mark represents a quantized moment; collectively, they form a continuum of light and shadow that mimics the propagation of sound waves through a medium. These works function as "chambers of attention," where the ordered repetition of forms creates a rhythmic frequency, inviting the viewer to witness the transition from structure to entropy as the eye moves across the field.
This logic of sequence translates directly into his oil paintings, where composition is approached as a temporal and perceptual event rather than a fixed image. Here, the artist engages with the fluid dynamics of paint and the reflective instability of elemental silver. Silver operates not simply as pigment but as an active material, defined by its capacity to respond to light. By modulating the viscosity of the medium, Wigglesworth creates a visual score where light acts as a collaborator within the work. The resulting surfaces are never fixed; they are contingent spaces that brighten, recede, and reappear, drawing the body into a quiet exchange with the passage of time.
Through this interdisciplinary approach, rooted in Music and Media Technologies (M.Phil., 1st Class Hons, Trinity College Dublin), Wigglesworth explores how the brain interprets aural and visual data. His work acts as a resonator for the internal rhythms of perception, creating a "tunnelling" effect where structure and intuition converge. Based in Dublin, he has spent decades refining a technique that treats the painting as a contained, responsive space.
“I think of the painting as a contained, responsive space, one that comes alive through light and duration. In this sense, light is not simply something that falls upon the work, but a collaborator within it. This approach reflects how I see my role not only as an artist, but as a kind of temporal engineer, shaping conditions in which perception, time, and material continually renegotiate one another.”